Reviewed bibliography
Books
ASHLEY-SMITH, Jonathan. Risk Assessment for Object Conservation. Butterworth-Heinemann, Oxford-Boston, 1999, 358 pp.
APPELBAUM, Barbara. Conservation Treatment Methodology. Elsevier Butterworth-Heinemann, Great Britain, 2007, 437 pp.
AVRAMI, Erica, Randall Mason, and Marta de la Torre. Values and Heritage Conservation. Research Report, The Getty Conservation Institute, Los Angeles, 2000, 96 pp. http://www.getty.edu/conservation/publications/pdf_publications/valuesrpt.pdf
BARGER, M. Susan, and William B. White. The Daguerreotype: nineteenth-century technology and modern science. Smithsonian Institution Press, Washington, 1991, 252 pp.
BRÜCKLE, Irene, and F. Christopher Tahk, editors. North American Graduate Programs in the Conservation of Cultural Property. Association of North American Graduate Programs in the Conservation of Cultural Property, Buffalo, 2000, 170 pp.
CAPLE, Chris. Conservation skills: judgment, method, and decision making. Routledge, New York, 2000, 232 pp.
CLAVIR, Miriam. Preserving what it is valued. Museums, conservation and first nations. UBCPress, Vancouver, 2002, 295 pp.
COURAGE, Catherine, and Kathy Baxter. Understanding your users. A practical guide to user requirements: Methods, Tools and Technique. Morgan Kaufmann Elsevier, San Francisco, 2005, 781 pp.
FINK, Arlene. How to ask survey questions. Thousand Oaks, SAGE Publications, 1995, 105 pp.
HENDRIKS, Klaus. Fundamentals of Photographic Conservation, A Study Guide. National Archives of Canada, Lugus Publication, Toronto, 1991, 560 pp.
KOCH S., Mogens, editor. Klaus B. Hendriks, A life Remembered. The Royal Danish Academy of Fine Arts, Denmark, 2002, 158 pp.
MUÑOZ Viñas, Salvador. Contemporary Theory of Conservation. Elsevier Butterworth-Heinemann, Oxford, 2005, 239 pp.
REEDY, Terry J., and Chandra L. Reedy. Statistical Analysis in Art Conservation Research. The Getty Conservation Institute, California, 1988, 106 pp. http://www.getty.edu/conservation/publications/pdf_publications/statistics.pdf
________. Principles of Experimental Design for Art Conservation Research. GCI Scientific Program Report, The Getty Conservation Institute, Los Angeles, 1992, 123 pp. http://www.getty.edu/conservation/publications/pdf_publications/principles_experiment.pdf
STANLEY-PRICE, Nicholas, M. Kirby Talley Jr., and Alessandra Melucco Vaccaro, editors. Historical and Philosophical Issues in the Conservation of Cultural Heritage. Getty Conservation Institute, Los Angeles, 1996, 500 pp.
The Imperfect Image: Photographs their Past, Present and Future. The Center for Photographic Conservation, London, 1992, 379 pp.
Articles
AMMANN, Jean-Christophe. “On the Ageing of Works of Art.” In Modern Art: Who Cares?, Foundation for the Conservation of Modern Art/ Netherlands Institute for Cultural Heritage, Amsterdam, 1999, 282-283, http://www.incca.org/theory-and-ethics/267-ammannarticle1999
ASHLEY-SMITH, Jonathan. “Definitions of Damage.” Unpublished talk given in the session “When conservator and collections meet” at the Annual Meeting of the Association of Art Historians, London, April 7-8, 1995, http://cool-palimpsest.stanford.edu/byauth/ashley-smith/damage.html
AVRAMI, Erica, Kathleen Dardes, Marta de la Torre, Samuel Y. Harris, Michael Henry, and Wendy Claire Jessup, contributors. “The Conservation Assessment: A Proposed Model for Evaluating Museum Environmental Management Needs.” The Getty Conservation Institute, Los Angeles, 1999, 39 pp. http://www.getty.edu/conservation/publications/pdf_publications/assessmodeleng.pdf
BAAS, Valerie, J. J. Bischoff and L. Stodulski. “The Effects of Sodium Borohydride Solutions on Silver-Based Photographic Materials: An Update.” Topics in Photographic Preservation, vol. 4, Compiled by Robin E. Siegel, American Institute for Conservation, Washington D.C., 1991, 156-160.
______________. “Ongoing Investigation into Chemical Image Enhancement of Faded Vintage Printing-out Photographic Prints.” Topics in Photographic Preservation, vol. 5, Compiled by Robin E. Siegel, American Institute for Conservation, Washington D.C., 1993, 95-116.
BLACKMAN, Christabel. “Salvador Muñoz Viñas, New Horizons for Conservation Thinking.” e_conservation, the online magazine, no. 6, September 2008, 20-27, http://www.e-conservationline.com/content/view/627
BOGARDUS, Abraham. “Trials and Tribulations of a Photographer.” British Journal of Photography 36, 1889, 184.
CARRIER, David. “Restoration as Interpretation.” In Altered States: Conservation, Analysis, and Interpretation of Works of Art, Mount Holyoke College, Massachusetts, 1994, 19-27.
“Code of Ethics.” International Council of Archives, 1996, http://www.ica.org/sites/default/files/Ethics-EN.pdf
“Code of Ethics and Guidance for Practice.” The Canadian Association for Conservation of Cultural Property (CAC) and The Canadian Association of Professional Conservators (CAPC), Ottawa, 2000, 20 pp. http://www.cac-accr.ca/pdf/ecode.pdf
“Code of Ethics and Guidelines for Practice of the American Institute for Conservation of Historic and Artistic Works.” Revised August 1994, Dan Kushel, Member, Ethics and Standards Committee, http://www.conservation-us.org/index.cfm?fuseaction=page.viewPage&pageID=858&nodeID=1
“Código de ética y normas prácticas para la profesión de restauración del patrimonio cultural de México.” Coordinación Nacional de Restauración del Patrimonio Cultural (CNRPC), México, CNRPC-INAH-CONACULTA, 1998, 26 pp.
“Código de Ética,” Associacao Catarinense de Conservadores e Restauradores de Bens Culturais, 2006, http://www.accr.org.br/noticia_full.php?idnot=16
DAFFNER, Lee Ann, and Christopher McGlinchey. “The Big Picture: Conservation Research Program for Contemporary Color Photographs.” Modern Art, New Museums, Contributions to the Bilbao Congress, 13-17 September 2004, Edited by Ashok Roy and Perry Smith, The International Institute for Conservation of Historic and Artistic Works, London, 2004, 109-113.
DAVANNE, Louis Alphonse, and Jules Girard. “On the Revivification of Faded Positives.” Journal of the Photographic Society 2, no. 32, 21 July 1855, 199-200.
“Defining the Conservator: Essential Competencies.” American Institute for Conservation of Historic and Artistic Works, Washington D.C., 2003, 19 pp. http://www.conservation-us.org/_data/n_0001/resources/live/definingcon.pdf
“E.C.C.O. Professional Guidelines,” European Confederation of Conservator-Restorers’ Organisations, 2002, http://www.ecco-eu.org/about-e.c.c.o./professional-guidelines.html>, also available at http://www.icon.org.uk/index.php?option=com_content&task=view&id=121&Itemid
HERNÁNDEZ, Claudio, Pilar Hernández, and Alejandra Mendoza. “Conservadores de Fotografía, Hacia un Código de Ética.” Unpublished, talk given at the XIV Coloquio del Seminario de Estudio y Conservación del Patrimonio, La fotografía: imagen y materia, Universidad Nacional Autónoma de México, Oaxaca, Mexico, May 30th, 2006.
HENDRIKS, Klaus B., and Lincoln Ross. “The Restoration of Discolored Black-and-white Photographic Images in Chemical Solutions.” Preprints of papers presented at the sixteenth annual meeting New Orleans, Louisiana, June 1-5, 1988, American Institute for Conservation, Washington D.C., 99-117.
HENDRIKS, Klaus B. “The Evaluation of Conservation Treatments.” Research Techniques in Photographic Conservation, Proceedings of the Conference in Copenhagen 14-19 May 1995, The Royal Danish Academy of Fine Arts, Denmark, 1996, 47-50.
HILL, Gregory. “The Conservation of a Photographic Album at the National Archives of Canada,” Journal of the American Institute for Conservation, vol. 30, no. 1, Spring 1991, pp. 75-88.
“ICOM Code of Ethics for Museums 2006.” International Council of Museums, http://icom.museum/ethics.html
IRACI, Joe, and Paul Begin. “Theory Guides, Experiment Decides: Working with Klaus.” In Klaus B. Hendriks, A life Remembered, ed. Mogens S. Koch, The Royal Danish Academy of Fine Arts, Denmark, 2002, 25-30.
KENNEDY, Nora. “The coming age of Photograph Conservation.” ICOM Committee for Conservation 11th Triennial Meeting, Edinburgh, 1-6 September 1996, 101-107.
______________. “Practical Application of Klaus B. Hendriks’ Research.” In Klaus B. Hendriks, A life Remembered, ed. Mogens S. Koch, The Royal Danish Academy of Fine Arts, Denmark, 2002, 31-36.
KENNEDY, Nora, and Peter Mustardo. “Contemporary Photography from a Conservation Perspective.” In The Imperfect Image: Photographs their Past, Present and Future, The Center for Photographic Conservation, London, 1992, 367-375.
______________. “Changing perspectives on color photography.” In Diversity in Heritage Conservation: Tradition, Innovation and Participation, 15th Triennial Conference, 22-26 September 2008 New Delhi, vol. II, ICOM-CC, 2008, 689-694.
KOCH S., Mogens, et al. “Conservation problems of contemporary photography.” In Modern Art: Who cares?, The Foundation for the Conservation of Modern Art and the Netherlands Institute for Cultural Heritage, Amsterdam, 1999, 349-355.
KUNIAVSKY, Mike. “Universal Tools: Recruiting and Interviewing.” In Observing the user experience, A practitioner’s guide to user research. Morgan Kaufmann Publishers, San Francisco, 2003, 83-127.
MAVER, Ian. “Some Research into Methods of Mounting, Lining or Repairing Albumen Prints.” In The Imperfect Image: Photographs their Past, Present and Future, The Center for Photographic Conservation, London, 1992, 311-315.
MAYNES, Pau, and Grant B. Romer. “A Research into the History of Photograph Conservation: George Eastman’s Legacy.” Past Practice, Future Prospects, British Museum Occasional Papers 145, September 2001, 151-158.
______________. “Documenting Conservation through Oral History: A Case Study.” ICOM-Conservation Committee Meeting, Brazil, 2002.
MELUCCO Vaccaro, Alessandra. “The idea of Patina. Introduction to Part VII.” In Historical and Philosophical Issues in the Conservation of Cultural Heritage, Getty Conservation Institute, Los Angeles, 1996, 366-371.
MCQUAID, James, David Tait, and Steven Lewis. “Oral History Material on Photography.” Image, vol. 18, no. 2, 1975, 1-12.
MOOR, Ian L., and Angela H. Moor. “The Effects of Aqueous Treatments on Photographs.” In The Imperfect Image: Photographs their Past, Present and Future, The Center for Photographic Conservation, London, 1992, 236-244.
MURPHY, Erin. “Basic Care of Face-Mounted Photographs at the Museum of Modern Art.” Topics in Photographic Preservation, vol. 12, Compiled by Brenda Bernier, American Institute for Conservation, Washington, D.C., 2007, 160-174.
MUSTARDO, Peter. “Approaches to Treating Contemporary Photographs.” Topics in Photographic Preservation, vol. 12, Compiled by Brenda Bernier, American Institute for Conservation, Washington, D.C., 2007, 126-130.
NISHIMURA, Douglas. “Report on the Chemical Treatment of Photographic Materials Workshop: a Chemist’s Perspective.” Topics in Photographic Preservation, vol. 9, Compiled by Sarah S. Wagner, American Institute for Conservation, Washington D.C., 2001, 1-43.
NORRIS, Debbie Hess. “The Conservation Treatment of Deteriorated Photographic Print Materials.” In The Imperfect Image: Photographs their Past, Present and Future, The Center for Photographic Conservation, London, 1992, 361-366.
______________. “The Unmounting of Historic Photographic Prints: Factors to consider.” Typescript, unpublished, 1993, 4 pp.
______________. “Current Research Needs in the Conservation Treatment of Deteriorated Photographic Print Materials.” Research Techniques in Photographic Conservation, Proceedings of the Conference in Copenhagen 14-19 May 1995, The Royal Danish Academy of Fine Arts, Denmark, 1996, 101-105.
______________. “Contributions of Klaus B. Hendriks to the Field of Conservation.” In Klaus B. Hendriks, A life Remembered, ed. Mogens S. Koch, The Royal Danish Academy of Fine Arts, Denmark, 2002, 19-21.
O’KEEFE, Georgia. “Rules for use of the Alfred Stieglitz Photographs and Photogravures.” Typescript, unpublished, 1951, 1 p.
ORRACA, José. “The Conservation of Photographic Materials.” AIC Annual Meeting l973, Kansas City, Missouri, American Institute for Conservation, Washington D.C., 1973, 32-38.
______________. “Philosophy of Conservation.” Society of American Archivists, Toronto Canada, October 1, 1974, 6 pp.
______________. “Developing treatment criteria in the conservation of Photographs.” Topics in Photographic Preservation, vol. 4, Compiled by Robin E. Siegel, American Institute for Conservation, Washington D.C., 1991, 151-155. Also available in the periodical OJO, Spring 1991.
______________. “Unmounting is easy… not.” Typescript, unpublished, 1993, 3 pp.
PÉNICHON Sylvie, and Martin Jürgens. “Two Finishing Techniques for Contemporary Photographs.” Topics in Photographic Preservation, vol. 9, Compiled by Sarah S. Wagner, American Institute for Conservation, Washington, D.C., 2001, 85-96. Also available at http://www.martinjuergens.net/Assets/download/Penichon_Juergens_Topics_9.pdf
______________. “Issues in the Conservation of Contemporary Photographs: the Case of Diasec or Face-mounting.” AIC News, vol. 27, no. 2, 2002, 1, 3-4, 7-8. Also available at http://www.martinjuergens.net/Assets/download/AIC_News_March_2002.pdf
______________. “Plastic Lamination and Face Mounting of Contemporary Photographs.” In Coatings on photographs: materials, techniques, and conservation. Edited by Constance McCabe, Photographic Materials Group of the American Institute for Conservation, Washington, D.C., 2005, 218-235.
POLLMEIER, Klaus. “Photograph Restoration: a Question of responsibility.” In FIAF-Symposium Restoration Works of Art as a Common Theme between Film Archives and other Cultural Institutions. Ethical problems of Restoration of Different Art Forms, Prague, April 26, 1998, 1-6.
“Principles and Standards of the Oral History Association.” Oral History Evaluation Guidelines, Oral History Association, Pamphlet Number 3, Adopted 1989, Revised Sept. 2000, http://www.oralhistory.org/do-oral-history/oral-history-evaluation-guidelines/
ROMER, Grant. “Some Notes on the Past, Present and Future of Photographic Preservation.” Image, vol. 27, no 4, December 1984, 16-23.
SCHAAF Larry J. “Introduction.” In Sun Pictures, Catalogue Three, The Harold White Collection of Works by William Henry Fox Talbot, Hans P. Kraus Jr. Inc., New York, 1987, 5-24.
SHADBOLT, George. “Restoration of Fading Proofs.” Photographic Journal 6, no. 85, 1 January 1859, 11.
STRETCH, Bonnie Barrett. “The State of the Art: Photo Intensification.” American Photographer, vol. XV, no. 1, July 1985, 22-24.
STONER, Joyce Hill. “Documenting Ourselves: The History of Twentieth-Century Conservation.” IIC Bulletin 2, April 1998, 1-4.
SWAN, Alice. “Conservation Treatments for Photographs: A Review of Some of the Problems, Literature and Practices.” Image, vol. 21, no. 2, June 1978, 24-31.
_____________. “The Preservation of Daguerreotypes.” AIC Preprints of papers presented at the ninth annual meeting, Philadelphia, Pennsylvania, 27-31 May 1981, American Institute for Conservation, Washington, 1981, 164-172.
“Terminology to characterize the conservation of tangible cultural heritage.” Resolution to be submitted to the ICOM-CC membership on the occasion of the XVth Triennial Conference, New Delhi, 22-26 September 2008, http://www.ecco-eu.org/documents/ecco-documentation/index.php
The Analects of Confucius, Book 13, Verse 3, translated by James R. Ware, 1980, http://www.analects-ink.com/mission/Confucius_Rectification.html
“The Conservator-Restorer: a Definition of the Profession.” ICOM Code of Ethics Copenhagen 1984. ICOM Committee for Conservation, Copenhagen, September 1984, http://www.encore-edu.org/encore/DesktopDefault.aspx?tabindex=1&tabid=191
“Tipos de Entrevista.” Universidad Francisco de Vitoria, Departamento de Orientación e Información al Empleo, Madrid, 2009.
VAN DE VALL, Renée. “Painful Decisions: Philosophical Considerations on a Decision-making Model.” In Modern Art: Who Cares?, Foundation for the Conservation of Modern Art/ Netherlands Institute for Cultural Heritage, Amsterdam, 1999, 196-200.
VAN DE WETERING, Ernst. “Conservation-Restoration Ethics and the Problem of Modern Art.” In Modern Art: Who Cares?, Foundation for the Conservation of Modern Art/ Netherlands Institute for Cultural Heritage, Amsterdam, 1999, 247-249.
“Victoria & Albert Museum Conservation Department Ethics Checklist.” 2nd Edition, Conservation Department, Victoria and Albert Museum, London, December 2004 (1st edition by Jonathan Ashley-Smith, 1994) http://www.vam.ac.uk/files/file_upload/27931_file.pdf
WAGNER, Sarah S. “Conservation Tip: A modified Dacron lining Technique for Photographs.” Topics in Photographic Preservation, vol. 4, Compiled by Robin E. Siegel, American Institute for Conservation, Washington D.C., 1991, 31-33.
WAGNER, Sarah, and Barbara Lemmen. “The Use of Solvent- and Heat-Activated, Pressure-sensitive, and Remoistenable Systems in the Mounting of Photographic Materials.” Typed notes for the Mellon Workshop in Photograph Conservation: Unmounting and mounting Photographs, unpublished, March 13-17, 2000, 8 pp.
WATKINS, Stephanie. “Origins and Development of Dry Mounting.” The Book and Paper Group Annual, vol. 12, 1993, 66-73.
WEI, William. “International Research on the Conservation and Restoration of Face-Mounted Photographs.” In Diversity in Heritage Conservation: Tradition, Innovation and Participation, 15th Triennial Conference, 22-26 September 2008 New Delhi, vol. II, ICOM-CC, 2008, 702-708.
WHITE, Minor. “Care and Preservation of the Old Photographs and Negatives.” Image, vol. 4, no. 8, November 1955, 59-60.
Websites and web articles
Blogger, Google, http://www.blogger.com
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